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Open AccessArticle10.4102/td.v10i2.110

Understanding music’s therapeutic efficacy: Implications for music education

Diane Thram-2014-11-30-The Journal for Transdisciplinary Research in Southern Africa

TL;DRAbstract

In the current era of electronic domination of human experience, be it via cell phone and/or computer addiction, or the ubiquitous television, actual participation in music- making is less and less common for the average person, child or adult. Passive participation through listening is most often cited by people as their major experience with music in their lives. When asked if listening has therapeutic effects, it is rare for anyone to respond in the negative. Likewise, for performers/active participants in music- making, be it solitary or as part of a group, invariably an enhanced sense of well-being from the act of making music is reported.This paper addresses therapeutic aspects of musical participation (singing, clapping, playing an instrument, dancing, listening) by providing a historical overview (12th c to present) of attitudes toward music’s therapeutic effects. It argues that music exists through the interaction of our biological capacity to make music with our cultural circ

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In the current era of electronic domination of human experience, be it via cell phone and/or computer addiction, or the ubiquitous television, actual participation in music- making is less and less common for the average person, child or adult. Passive participation through listening is most often cited by people as their major experience with music in their lives. When asked if listening has therapeutic effects, it is rare for anyone to respond in the negative. Likewise, for performers/active participants in music- making, be it solitary or as part of a group, invariably an enhanced sense of well-being from the act of making music is reported.This paper addresses therapeutic aspects of musical participation (singing, clapping, playing an instrument, dancing, listening) by providing a historical overview (12th c to present) of attitudes toward music’s therapeutic effects. It argues that music exists through the interaction of our biological capacity to make music with our cultural circ

Keywords

SingingActive listeningImprovisationPsychologyMusic educationMusicalMusic therapyCurriculum

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