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Architettura e jazz: il jazz nei processi di trasformazione dello spazio

Giovanni Maria Filindeu-2010-03-05-UnissResearch (Università degli Studi di Sassari)
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TL;DRAbstract

Music, as any other form of art, is primarily a construction of a space. Order, proportion, and
\ntemporal rhythm has stabilized/unified the relationship between music and architecture since old
\ntimes. This relationship can still be effectively expressed through the Goethian idea of
\narchitecture as ‘frozen music’. It is nonetheless true that, either music or architecture, as vital
\nforms of human experience, are subjected to transformations due to their expressive qualities as
\nwell as their constituent features. Architecture, far from being intended as fixed setting of our
\nexistence, is strongly influenced by the temporal dimension of the project and by the subsequent
\nspatial expressions. The willingness to accept the change and the denial of a fixed form has lead
\nthe architectural project to become a process. Such change has determined an abiding crisis for
\nthe architectural project, from the construction of its objectives to the

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Music, as any other form of art, is primarily a construction of a space. Order, proportion, and
\ntemporal rhythm has stabilized/unified the relationship between music and architecture since old
\ntimes. This relationship can still be effectively expressed through the Goethian idea of
\narchitecture as ‘frozen music’. It is nonetheless true that, either music or architecture, as vital
\nforms of human experience, are subjected to transformations due to their expressive qualities as
\nwell as their constituent features. Architecture, far from being intended as fixed setting of our
\nexistence, is strongly influenced by the temporal dimension of the project and by the subsequent
\nspatial expressions. The willingness to accept the change and the denial of a fixed form has lead
\nthe architectural project to become a process. Such change has determined an abiding crisis for
\nthe architectural project, from the construction of its objectives to the

Keywords

JazzImprovisationArchitectureComputer scienceRepresentation (politics)AestheticsVisual artsArt

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