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花主、诗人和哲人——神道设教与贾宝玉的形象设计

吴光正,罗媛-2010-04-25
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TL;DRAbstract

Through the narrative tradition of the ”superstition as educationalmeans”, Cao Xue-qin described the Grand Sight Garden as a world full of flowers and willows, endowed those girls with the quality of flowers and willows, endowed Chia Pao-yu' with the nature of flowers' owner, a poet and philosopher and depicted Chia Pao-yu's mental masturbation as a poetic action, so as to present a kind of the consciouseness of life, in other words, to enjoy, care and love the youth and beauty, therefore, the narrative of A Dream of Red Mansions takes on a poetic feature. We can understand the works according to the narrative tradition, and return to the works' original condition. However, the study of A Dream of Red Mansions in the twentieth century mostly belongs to the cultural construction, or even the ideological construction, that was a misunderstanding with an axe to grind.

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Through the narrative tradition of the ”superstition as educationalmeans”, Cao Xue-qin described the Grand Sight Garden as a world full of flowers and willows, endowed those girls with the quality of flowers and willows, endowed Chia Pao-yu' with the nature of flowers' owner, a poet and philosopher and depicted Chia Pao-yu's mental masturbation as a poetic action, so as to present a kind of the consciouseness of life, in other words, to enjoy, care and love the youth and beauty, therefore, the narrative of A Dream of Red Mansions takes on a poetic feature. We can understand the works according to the narrative tradition, and return to the works' original condition. However, the study of A Dream of Red Mansions in the twentieth century mostly belongs to the cultural construction, or even the ideological construction, that was a misunderstanding with an axe to grind.

Keywords

DreamPoetryNarrativeSuperstitionBeautyIdeologyLiteratureArt

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