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Les guerres d'Italie entre chronique et épopée : le renouveau de l'écriture héroïque française et néo-latine en France au début de la Renaissance

Sandra Provini-2009-01-01-HAL (Le Centre pour la Communication Scientifique Directe)
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The dissertation presents a comparative study of the long narrative poems composed on the first Italian wars (1494-1514) during the reigns of Charles VIII and Louis XII by Neo-Latin and French poets: Fausto Andrelini's De Neapolitana Fornoviensique Victoria and André de La Vigne's Voyage de Naples, Valerand de La Varanne's Carmen de expugnatione Genuensi and Jean Marot's Voyage de Gênes, Antoine Forestier's Chilias heroica de regis Ludovici duodecimi in Venetos Victoria and Jean Marot's Voyage de Venise. The first part places these works in their historical context, their authors in curial and humanist circles, and specifies their conditions of reception. The second part analyses their ambition to immortalise the actions of their contemporaries through their form and style. The third part compares the French and Neo-Latin practices of the great genre - epic, prosimeter - by studying the dispositio, elocutio and models of the poems, in particular in the battle scenes and the relations o

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The dissertation presents a comparative study of the long narrative poems composed on the first Italian wars (1494-1514) during the reigns of Charles VIII and Louis XII by Neo-Latin and French poets: Fausto Andrelini's De Neapolitana Fornoviensique Victoria and André de La Vigne's Voyage de Naples, Valerand de La Varanne's Carmen de expugnatione Genuensi and Jean Marot's Voyage de Gênes, Antoine Forestier's Chilias heroica de regis Ludovici duodecimi in Venetos Victoria and Jean Marot's Voyage de Venise. The first part places these works in their historical context, their authors in curial and humanist circles, and specifies their conditions of reception. The second part analyses their ambition to immortalise the actions of their contemporaries through their form and style. The third part compares the French and Neo-Latin practices of the great genre - epic, prosimeter - by studying the dispositio, elocutio and models of the poems, in particular in the battle scenes and the relations o

Keywords

ArtHumanitiesThe RenaissanceArt history

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