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The Music of Manuel M. Ponce, Julián Carrillo, and Carlos Chávez in New York, 1925-1932

Christina Taylor Gibson-2008-07-14-Digital Repository at the University of Maryland (University of Maryland College Park)
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TL;DRAbstract

From 1925 to 1932, music by Manuel M. Ponce, Julián Carrillo, and Carlos Chávez was performed in New York and widely reviewed in the city's newspapers. Although they are among the most significant figures in Mexican musical history, the influence of these composers and their works in New York from 1925-1932 has not been sufficiently studied. During these years, New York was not only the cultural capital of the U.S. but it was also a center for modernism and expatriate Mexican culture. In addition, the years in question mark the period directly preceding the premiere of Chávez's ballet, H.P., with the Philadelphia Symphony Orchestra, a performance that transformed Chávez's career and made him one of the most well-known Latin American composers in the U.S. This dissertation seeks to provide a multi-faceted examination of these composers and performances of their works in New York during the critical years before Chávez's ascendancy and to demonstrate the diverse Mexican musical aesthetic

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From 1925 to 1932, music by Manuel M. Ponce, Julián Carrillo, and Carlos Chávez was performed in New York and widely reviewed in the city's newspapers. Although they are among the most significant figures in Mexican musical history, the influence of these composers and their works in New York from 1925-1932 has not been sufficiently studied. During these years, New York was not only the cultural capital of the U.S. but it was also a center for modernism and expatriate Mexican culture. In addition, the years in question mark the period directly preceding the premiere of Chávez's ballet, H.P., with the Philadelphia Symphony Orchestra, a performance that transformed Chávez's career and made him one of the most well-known Latin American composers in the U.S. This dissertation seeks to provide a multi-faceted examination of these composers and performances of their works in New York during the critical years before Chávez's ascendancy and to demonstrate the diverse Mexican musical aesthetic

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