TL;DRAbstract
The purpose of this project is to understand how it is that women become electronic/dance music (E/DM) DJs and intervene in the dominant discourses and practices of cultural production in E/DM and DJ culture. The three main areas I address are: the impact of the socialization of gender and technology relations, the various ways that women use the Internet to access knowledge and create supportive communities, and finally, the hegemonic representation of women in dominant E/DM culture and how this representation has led to women creating their own communities of practice. I take a cultural studies approach to understanding the communicative strategies women adopt to become DJs. Adopting this methodology requires an examination of the relationships between people, places, practices, and texts. Such an interdisciplinary approach also necessitates drawing on literature from various “studies” areas, including cultural studies, popular music, women’s studies, technology, and cyber culture st
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The purpose of this project is to understand how it is that women become electronic/dance music (E/DM) DJs and intervene in the dominant discourses and practices of cultural production in E/DM and DJ culture. The three main areas I address are: the impact of the socialization of gender and technology relations, the various ways that women use the Internet to access knowledge and create supportive communities, and finally, the hegemonic representation of women in dominant E/DM culture and how this representation has led to women creating their own communities of practice. I take a cultural studies approach to understanding the communicative strategies women adopt to become DJs. Adopting this methodology requires an examination of the relationships between people, places, practices, and texts. Such an interdisciplinary approach also necessitates drawing on literature from various “studies” areas, including cultural studies, popular music, women’s studies, technology, and cyber culture st
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