TL;DRAbstract
Jiang Yin consider that the ”Yijing” used by the ancient is a neutral conception with no value, however, it began from Wang Guowei that because of the enlightenment of Western artistic conception, Yijing transformed to a modern poetic conception which is separated from the traditional use .This article puts query on this opinion, and considers it has ignored that the twentieth century's ”YiJing” still can not be separated from the context of traditional esthetics and poetics. What's more, this article criticizes that Jiang Yin uses the clean off of conceptual history, and uses Yixiang replace the Yijing's place in Chinese aesthetic history. This article also consider ”Yijing” as a conception in the range of aesthetics and poetics, is on the base of national poetic aesthetic sense, and any conception about ”Yijing” must on this basis, otherwise ,it would lose its meaning that it ought to have.
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Jiang Yin consider that the ”Yijing” used by the ancient is a neutral conception with no value, however, it began from Wang Guowei that because of the enlightenment of Western artistic conception, Yijing transformed to a modern poetic conception which is separated from the traditional use .This article puts query on this opinion, and considers it has ignored that the twentieth century's ”YiJing” still can not be separated from the context of traditional esthetics and poetics. What's more, this article criticizes that Jiang Yin uses the clean off of conceptual history, and uses Yixiang replace the Yijing's place in Chinese aesthetic history. This article also consider ”Yijing” as a conception in the range of aesthetics and poetics, is on the base of national poetic aesthetic sense, and any conception about ”Yijing” must on this basis, otherwise ,it would lose its meaning that it ought to have.
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