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Mélida : génesis, pensamiento y obra de un maestro.

Margarita Díaz‐Andreu-2004-01-01-Durham Research Online (Durham University)
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TL;DRAbstract

The title of this extensive publication – almost 200 pages – can be translated as "José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain". An article in English summarising some of the main issues discussed will be published (Díaz-Andreu 2007 'Revisiting the "invisible college": José Ramón Mélida as a case study', in N. Schlanger & A. Schnapp (eds.) Histories of Archaeology. Oxford, New York: Berghaus.
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\n"José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain" is a critical biography of one of the main figures in European archaeology. José Ramón Mélida. Mélida is used as the centre point to critically review the socio-political context of the development of Spanish archaeology in its international setting during the late nineteenth and early twentieth centuries. French archaeology was the main inspiration behind Mélida’s understan

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The title of this extensive publication – almost 200 pages – can be translated as "José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain". An article in English summarising some of the main issues discussed will be published (Díaz-Andreu 2007 'Revisiting the "invisible college": José Ramón Mélida as a case study', in N. Schlanger & A. Schnapp (eds.) Histories of Archaeology. Oxford, New York: Berghaus.
\n
\n"José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain" is a critical biography of one of the main figures in European archaeology. José Ramón Mélida. Mélida is used as the centre point to critically review the socio-political context of the development of Spanish archaeology in its international setting during the late nineteenth and early twentieth centuries. French archaeology was the main inspiration behind Mélida’s understan

Keywords

HistoriographyGermanBiographyContext (archaeology)DisciplineHistoryPoliticsClassics

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