Mélida : génesis, pensamiento y obra de un maestro.
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The title of this extensive publication – almost 200 pages – can be translated as "José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain". An article in English summarising some of the main issues discussed will be published (Díaz-Andreu 2007 'Revisiting the "invisible college": José Ramón Mélida as a case study', in N. Schlanger & A. Schnapp (eds.) Histories of Archaeology. Oxford, New York: Berghaus. \n \n"José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain" is a critical biography of one of the main figures in European archaeology. José Ramón Mélida. Mélida is used as the centre point to critically review the socio-political context of the development of Spanish archaeology in its international setting during the late nineteenth and early twentieth centuries. French archaeology was the main inspiration behind Mélida’s understan
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The title of this extensive publication – almost 200 pages – can be translated as "José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain". An article in English summarising some of the main issues discussed will be published (Díaz-Andreu 2007 'Revisiting the "invisible college": José Ramón Mélida as a case study', in N. Schlanger & A. Schnapp (eds.) Histories of Archaeology. Oxford, New York: Berghaus. \n \n"José Ramon Mélida: a historiographical study of professional archaeology in late-nineteenth and early-twentieth century Spain" is a critical biography of one of the main figures in European archaeology. José Ramón Mélida. Mélida is used as the centre point to critically review the socio-political context of the development of Spanish archaeology in its international setting during the late nineteenth and early twentieth centuries. French archaeology was the main inspiration behind Mélida’s understan
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