From production landscape to consumption landscape : a study of factory 798 and the Jiuchang arts district in Beijing
TL;DRAbstract
Urban landscape offers an effective means to improve local capability for regional and global competitions. Along with the growing power of cultural economy, urban landscape with unique identity is increasingly repackaged as venue for cultural, particularly visual, consumption. At the same time, globally oriented cities compete with one another by promoting arts districts. In this context, arts districts have become a global urban phenomenon, contributing significantly to agglomerate cultural consumption activities. \n\nFor the past two decades, arts districts in Beijing have gained rapid increase in terms of locations and spatial patterns. However ,they were called ‘artist villages’ which represent their undergrounded statues in the early 1990s.It was not until 2000s that some of them were soon commercialized with international galleries, trendy restaurants, caf?s and night clubs appearing on the scene. These underground settlements were eventually recognized as “creative clusters” b
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Urban landscape offers an effective means to improve local capability for regional and global competitions. Along with the growing power of cultural economy, urban landscape with unique identity is increasingly repackaged as venue for cultural, particularly visual, consumption. At the same time, globally oriented cities compete with one another by promoting arts districts. In this context, arts districts have become a global urban phenomenon, contributing significantly to agglomerate cultural consumption activities. \n\nFor the past two decades, arts districts in Beijing have gained rapid increase in terms of locations and spatial patterns. However ,they were called ‘artist villages’ which represent their undergrounded statues in the early 1990s.It was not until 2000s that some of them were soon commercialized with international galleries, trendy restaurants, caf?s and night clubs appearing on the scene. These underground settlements were eventually recognized as “creative clusters” b
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